Thursday, May 2, 2024

ADORARE ATEN:Testi dalla corte del faraone Akhenaten

Marco Zecchi
 
L’OPERA

Alla metà del XIV secolo a.C. l’Egitto fu sconvolto dall’ascesa al trono di Amenhotep IV, il quale, nel quinto anno di regno, cambiò il proprio nome in Akhenaten. Si inaugurava una politica religiosa votata esclusivamente al culto del dio sole Aten, che apparve già ai contemporanei in contrasto con la oramai millenaria tradizione della civiltà egiziana. La scelta dei testi pubblicati in Appendice, tradotti dagli originali geroglifici, aiuta a comprendere uno dei momenti più originali della storia egiziana, dominato dalla figura di un sovrano sempre in bilico tra l’essere ritenuto un idealista e il primo monoteista della storia, o un opportunista che ammantò una rivoluzione politica di aspetti religiosi.

L’AUTORE

Marco Zecchi è professore di Egittologia all’Alma Mater Studiorum – Università di Bologna. Ha studiato presso l’Università di Bologna e il Department of Archaeology, Classics and Egyptology dell’Università di Liverpool. I suoi interessi di ricerca vertono prevalentemente sulla religione egiziana antica.

Copyright
1088press
Alma Mater Studiorum – Università di Bologna
Via Zamboni 33, 40126 Bologna (Italy)
ISBN: 978-88-31926-05-8
ISBN-A: 10.978.8831926/058
DOI: 10.12878/1088pressbyte2019_2
Testi, immagini e materiali multimediali sono rilasciati sotto Licenza Creative Commons CC BY-NC-SA 4.0 degli Autori e di 1088press, se non diversamente indicato .

Prima edizione: aprile 2019

 

 

Maria Giulia Amadasi Guzzo
 cover-Alfa-Beta
L’OPERA

Alfa e beta, i nomi delle prime due lettere della scrittura dei Greci derivati dalle denominazioni orientali aleph e beth, sono all’origine del nome del sistema di scrittura che si è più diffuso nel mondo: l’alfabeto. Il sistema è nato nel Vicino Oriente nella prima metà del II millennio a.C. per le esigenze di una società locale, come semplificazione dei tipi di scrittura dei paesi circostanti (il cuneiforme e il geroglifico) e per ispirazione specifica del sistema egiziano. Per la sua flessibilità e per ragioni legate a contatti con gruppi sociali privi di una scrittura propria, l’alfabeto è stato adottato rapidamente in Oriente come in Occidente. Questo volume ripercorre la sua storia, con un’attenzione specifica alla sua origine; ne descrive le tappe della diffusione nel tempo e nello spazio, dal Levante all’Asia anteriore, fino all’Arabia e all’India, dalla Grecia all’Italia antiche, dall’Età del Bronzo alla modernità, subendo modifiche profonde nella forma dei segni, spesso invece più lievi nella concezione.

L’AUTRICE

Maria Giulia Amadasi Guzzo
Studiosa di Filologia semitica, ha insegnato Epigrafia semitica all’Università Sapienza di Roma. Ha partecipato a numerose missioni archeologiche ed epigrafiche in Sardegna e Sicilia, in Libia, a Malta e in Siria, pubblicando monografie e articoli su iscrizioni, soprattutto fenicie e puniche, provenienti da queste regioni. Si è anche occupata di storia della scrittura e dello studio dei culti.

 

Copyright
1088press
Alma Mater Studiorum – Università di Bologna
Via Zamboni 33, 40126 Bologna (Italy)
978-88-31926-45-4 (cartaceo)
978-88-31926-46-1 (pdf)
978-88-31926-47-8 (enhanced)
DOI: 10.12878/1088pressbyte2024_1

Testi, immagini e materiali multimediali sono rilasciati sotto Licenza Creative Commons CC BY-SA 4.0 degli Autori e di 1088press, se non diversamente indicato .

Prima edizione: febbraio 2024

 

 

Wednesday, May 1, 2024

Queer Ancient Ways: A Decolonial Exploration

Queer Ancient Ways: A Decolonial Exploration 
  • Creative Commons License
     
    Queer Ancient Ways advocates a profound unlearning of colonial/modern categories as a pathway to the discovery of new forms and theories of queerness in the most ancient of sources. In this radically unconventional work, Zairong Xiang investigates scholarly receptions of mythological figures in Babylonian and Nahua creation myths, exposing the ways they have consistently been gendered as feminine in a manner that is not supported, and in some cases actively discouraged, by the texts themselves. An exercise in decolonial learning-to-learn from non-Western and non-modern cosmologies, Xiang’s work uncovers a rich queer imaginary that had been all-but-lost to modern thought, in the process critically revealing the operations of modern/colonial systems of gender/sexuality and knowledge-formation that have functioned, from the Conquista de America in the sixteenth century to the present, to keep these systems in obscurity. At the heart of Xiang’s argument is an account of the way the unfounded feminization of figures such as the Babylonian (co)creatrix Tiamat, and the Nahua creator-figures Tlaltecuhtli and Coatlicue, is complicit with their monstrification. This complicity tells us less about the mythologies themselves than about the dualistic system of gender and sexuality within which they have been studied, underpinned by a consistent tendency in modern/colonial thought to insist on unbridgeable categorical differences. By contextualizing these deities in their respective mythological, linguistic, and cultural environments, through a unique combination of methodologies and critical traditions in English, Spanish, French, Chinese, and Nahuatl, Xiang departs from the over-reliance of much contemporary queer theory on European (post)modern thought. Much more than a queering of the non-Western and non-modern, Queer Ancient Ways thus constitutes a decolonial and transdisciplinary engagement with ancient cosmologies and ways of thought which are in the process themselves revealed as theoretical sources of and for the queer imagination.


     

Phidias in Konstantinopel? Reale und virtuelle Präsenz eines Künstlers und seines Kunstwerks

Bauer, Franz Alto
Thumbnail
Im Heiligtum von Olympia befand sich das wohl berühmteste Götterbild der Antike, die von Phidias gefertigte goldelfenbeinerne Kolossalstatue des Zeus. Dieses Werk soll, wie eine byzantinische Quelle behauptet, in der Spätantike nach Konstantinopel verfrachtet worden sein, um im dortigen Anwesen des reichen Kämmerers Lausos bestaunt zu werden. Obwohl in der bisherigen Forschung kaum Zweifel an Demontage, Überführung und Neuaufstellung des Zeusbilds bestehen, stellen sich aus verschiedenen Gründen Fragen zur Wahrscheinlichkeit eines solchen Szenarios: Hatte sich die goldelfenbeinerne Statue bis zu diesem Zeitpunkt in ihrem Tempel erhalten? War man in der Lage, ein derart fragiles Bildwerk zu demontieren und über eine weite Strecke zu transportieren? Hatte man überhaupt das Recht dazu? Vor allem aber: Wie vertrauenswürdig ist die schriftliche Überlieferung, die uns von der Überführung berichtet? Ziel dieser Untersuchung ist es, diesen Fragen nachzugehen und deren Beantwortung in einen größeren Kontext zu stellen, in dem die Bedeutung des Bildhauers Phidias in der ausgehenden Antike beleuchtet wird.
DOI
10.61035/3795439217
ISBN
9783795439200, 9783795439217
Publisher
Schnell & Steiner
Publication date and place
2024
Imprint
Schnell & Steiner
Classification
History of art / art & design styles

 


 

Džarkutan Nekropole 4A: Katalog der Bestattungen

Contributions by Mike Teufer
book cover

Džarkutan Nekropole 4A presents a catalogue of the Late Bronze Age necropolis of Džarkutan 4a in Southern Uzbekistan. Excavated in the 1970s, the graveyard contained 719 burials of the 20th-16th c. BC, of the so-called Bactria-Margiana Archaeological Complex (BMAC). Apart from the site of Gonur, this is the largest scientifically studied prehistoric necropolis of Central Asia. While some material has been discussed in earlier publications, the individual descriptions of the burials and a large part of the inventories are published here for the first time. For some 350 graves, ceramic drawings or photographs were pulled together from archives, museum collections and the excavators' personal records. About 40% of the material originally excavated - and some 60% of the complete vessels excavated - could be assembled. The catalogue is preceded by a short introduction into the culture, history, and research history of the Late Bronze Age of Central Asia, and followed by a discussion of the burial customs.

auf Deutsch

Der vorliegende Band enthält den vollständigen Katalog von 719 Gräbern der spätbronzezeitlichen Nekropole von Džarkutan 4a, Süd-Usbekistan. Nach Gonur Depe in Turkmenistan ist es das umfangreichste archäologisch untersuchte Gräberfeld des Bactria-Margiana Archaeological Complex (BMAC). Die Nekropole wurde in den 1970er Jahren durch Wissenschaftler des Samarkander Archäologischen Instituts der Usbekischen Akademie der Wissenschaften ausgegraben. Einzelne Funde und Befunde fanden Eingang in die Literatur, die Beschreibungen der Einzelgräber sowie ein Großteil ihrer Inventare werden hier erstmals vorgestellt. Ungefähr 350 Gräber können mit Abbildungen der Befundsituation oder des Fundmaterials, beruhend auf Zeichnungen in Museen sowie den privaten Archiven der Ausgräber, vorgelegt werden. Zwei Drittel der archäologisch vollständigen Gefäße konnten auf diese Weise versammelt werden. Der Katalog (B. Abduallev, Übersetzng K. Kaniuth) leitet mit einem Kapitel zur Forschungsgeschichte der Region und des Gräberfelds (K. Kaniuth) ein und schließt mit einer Diskussion der Bestattungssitten durch Mike Teufer.

H 290 x W 205 mm

404 pages

360 figures, 3 tables

German text

Published May 2024

Archaeopress Archaeology

ISBN

Paperback: 9781803277677

Digital: 9781803277684

DOI 10.32028/9781803277677

Contents

Kapitel I - Einleitung

Einleitung

Die Mittel- und Spätbronzezeit in Turkmenistan

Die Spätbronzezeit außerhalb Turkmenistans

Die Nekropolen der Sapalli-Kultur

Die Grabungen in der Nekropole 4a von Džarkutan

Kartierungen in der Nekropole 4a von Džarkutan

 

Kapitel II - Katalog der Gräber

Zur Benutzung des Katalogs

Die Gräber der Nekropole 4a von Džarkutan 4a

 

Kapitel III - Bestattungssitten

Grabbau

Bestattungsarten

Grabausstattung

Zusammenfassung

 

Literaturverzeichnis



Anhang

Tabellarische Zusammenstellung der Gräber

 

 

Apotropaia and Phylakteria: Confronting Evil in Ancient Greece

book cover

Apotropaia and Phylakteria: Confronting Evil in Ancient Greece is the outcome of the conference held in Athens in June 2021 and hosted by the Swedish Institute at Athens.

The belief in the existence of evil forces was part of ancient everyday life and a phenomenon deeply embedded in popular thought of the Greek world. Fear of such malevolent powers generated the need for protection and we find clear traces of these concerns in both textual and archaeological sources. From the beginnings of literature, there is mention of ghosts and other daemonic beings that needed appeasement, and of ways of repulsing evil, such as the use of baskania and antibaskania (apotropaia). Repeatedly, we meet rituals of an apotropaic or prophylactic character conducted as part of everyday and family life, as for example on the occasion of a birth, marriage or death in the oikos (the cleansing of the house and household, libations and sacrifices in honour of oikos ancestors), and other practices that focused on the protection of the community as a whole, i.e. the Pharmakos ritual. Archaeology reveals an abundance of material objects thought to have the power to attract benevolent, and avert evil, forces. Traces of ritual practices necessary to ensure prosperity and avert personal disaster are manifest today in the form of amulets, certain semi-precious stones believed to protect women and children, eye-beads found in large numbers in many archaeological assemblages, possibly various types of terracotta figurines, such as nude female grotesques and various ithyphallic characters, to name a few. In addition, symbols and certain iconographic motifs, such as the phallus, the open hand, the Gorgoneion, images of triple Hekate, and Hermes, have been subject to a number of differing interpretations relative to apotropaic power.

H 290 x W 205 mm

280 pages

Colour illustrations throughout

Published May 2024

Archaeopress Archaeology

ISBN

Paperback: 9781803277493

Digital: 9781803277509

DOI 10.32028/9781803277493

Contents

Preface

 

Confronting Evil at the Boundaries of the City, the House, and the Human Body – Christopher A. Faraone

 

Women’s Choral Apotropaic Songs in Tragic Contexts of Domestic and Civic Disharmony – Vasiliki Kousoulini

 

Apotropaic and Prophylactic Practices at Troizen and Methana – Maria Giannopoulou

 

Some Thoughts on Apotropaic Devices in Greek Pottery Production – Oliver Pilz

 

Archaic Anthropomorphic Figurines from the Argolid Potentially Associated with Ritual Activity of an Apotropaic Character – Anna Philippa-Touchais

 

Terracotta Figurines of Apotropaic and/or Prophylactic Character in the National Archaeological
Museum, Athens – Maria Chidiroglou

 

Clay Figurines from Smyrna in the I. Misthos Collection at the National Archaeological Museum of Athens: A Study in Deformity and Apotropaic Character – Eirini Peppa Papaioannou

 

The Interpretation of Clay Gorgoneion-Roundels in Sacral Contexts: Evidence from the Sanctuary of Artemis Limnatis at Ancient Messene – Maria G. Spathi


Magic-Related(?) Graffiti on Pottery from Piraeus – Daphne Koletti

 

Reliefs from Ancient Messene: The Motif of the Open Hand – Eugenia Lambropoulou

 

Fearing the Evil Eye in Graeco-Roman Religion and Magic: Remarks on an Apotropaic Bas-Relief from Actia Nicopolis (Epirus, Greece) – Evangelos Pavlidis and Anastasia Giovanopoulou

 

Sacred Transitions: Protecting City Gates in Sicily and Magna Graecia – Valentina Garaffa

 

Some Evidence for Amulets in the Demeter and Kore Greek Sanctuary at Ancient Corinth – Sonia Klinger

 

Tracing the Possible Prophylactic Attributes of Parthenos at Ancient Neapolis (Kavala) – Amalia Avramidou

 

Things Jingling from the Beyond: Tracking the Amuletic Function of Bells in Roman Greece – Dimitris Grigoropoulos

 

An Etruscan Silver Ring Depicting a Scorpion from a Deposit in an Archaic House in Philia (Karditsa) – Dimitris Paleothodoros and Christos Karagiannopoulos

 

Apotropaic and Prophylactic Jewellery from Abdera – Constantina Kallintzi and Kyriaki Chatziprokopiou

 

Technical Phylactery in Graeco-Egyptian Ritual Practice – Barbara Takács

 

Reflections on Some Cases of interpretatio aegyptiaca on Magical Gems – Dominique Barcat

 

A Gem to Counter the Empousa – Anastasia Maravela

 

Chnoubis, Glykon, Agathodaimon, and the Strange Story of the Swamps of Central Macedonia: Notes on Magical Gems Depicting Snakes – Eleni Tsatsou

 

‘Against a Demon and Fears.’ A Phylactery in the Archaeological Museum of Perugia – Paolo Vitellozzi

 

 

Tuesday, April 30, 2024

Reading Death in Ancient Rome

Reading Death in Ancient Rome

In Reading Death in Ancient Rome, Mario Erasmo considers both actual funerary rituals and their literary depictions in epic, elegy, epitaphs, drama, and prose works as a form of participatory theater in which the performers and the depicters of rituals engage in strategies to involve the viewer/reader in the ritual process, specifically by invoking and playing on their cultural associations at a number of levels simultaneously. He focuses on the associative reading process—the extent to which literary texts allude to funeral and burial ritual, the narrative role played by the allusion to recreate a fictive version of the ritual, and how the allusion engages readers’ knowledge of the ritual or previous literary intertexts. Such a strategy can advance a range of authorial agendas by inviting readers to read and reread assumptions about both the surrounding Roman culture and earlier literature invoked through intertextual referencing. By (re)defining their relation to the dead, readers assume various roles in an ongoing communion with the departed. Reading Death in Ancient Rome makes an important and innovative contribution to semiotic theory as applied to classical texts and to the emerging field of mortality studies. It should thus appeal to classicists as well as to advanced undergraduate and graduate students in art history and archeology.

ISBN
9780814271759
Related ISBN(s)
9780814210925
MARC Record
OCLC
1227264818
Pages
257
Launched on MUSE
2020-12-22
Language
English
Open Access
Yes